#this was right after the space episode btw Tumblr posts

[pome-gran-ate]

insane how mulder keeps losing people in paranormal circumstances, but for scully it's just "poor guy, coming up with this insane explanations because he can't deal with grief"

[my-thoughts-and-junk]

once again in my rickard and mortyanne era. if you couldn't tell

[tevanbuckley]

what do you think is the sweetest and most well written part of Buck and Tommy's relationship? When they kissed in the first episode they had any kind of meaningful interaction or when Tommy ditched Buck on the curb after their first date and Buck somehow ended up feeling like the asshole about it. If that's a sweet and well written relationship Eddie and Marisol are When Harry Met Sally.

Oh no! They kissed after one episode! How could I forget the only way to write a good on screen romance is to spend at least half a season having them dance around their feelings with enough space for the holy ghost?

And yeah tommy left buck (a grown man in his 30s btw) outside the restaurant, because rather than just not mention they were on a date, buck made up a very weird and uncomfortable lie. bffr that's a "yeah sorry, I just got a text my grandma died," level red flag. I'd have clocked out at the ally comment, and tommy managed to turn that around into flirting!

But anyway thanks for the opportunity to list some sweet bucktommy details so far:

just buck's entire face when he talks to/about tommy, that man is smitten! ((x) if you need visual proof). he has the world's biggest crush on his boyfriend and i want him to be insufferable about it!

tommy's little "so that was okay?" after their kiss kills me every time, it's gentle but also confident and forward (which i think compliments buck's personality very well)

I mean tommy felt so bad about being the cause of problems between buck and eddie, he went to buck's house in person to apologise.

speaking of gentle. Evan. I need, need someone to pick tim minear's brain about the decision to have tommy consistently call him evan, the implications are driving me insane.

the way their relationship is tied up with, imo, one of the most interesting coming out arcs i've seen on tv in years. bi buck is very special to me and like it or not tommy is a part of that.

I love the detail of buck getting tommy's order wrong, they could've easily gone the "omg, you got my order right the first time, we're meant to be!" route, but imo there's something refreshing about showing love as this thing you have to work to build vs something that magically happens to you.

and the invisible string/full circle symbolism potential is insane. The fact chimney saved tommy's life, the parallel of tommy needing to leave the 118 to find himself which in turn left a spot in the exact place buck needed to do the same. The way buck is the reason that chimney meets maddie and then years later chim (potentially) returns the favour. They've stumbled into a writing goldmine here and i think they'd be fools to waste it.

look i'll readily admit i've no clue where they might be taking bucktommy, tbh i don't think tim minear knows, but they've sure as hell crammed a lot of potential into those 2 + a bit episodes. That's what people are responding to.

[egophiliac]

Do you know when in the timeline the Phantom Bride story takes place? ( I love your comics btw)

thank you! :D :D :D

the events tend to be deliberately ambiguous about when they're set, probably so it's easier to schedule them, and to accommodate players who might be at different points in the main story. though I think you have to have finished episode 2 in order to play events, so most of them are kind of...in this nebulous chronological space of somewhere post-episode 2?

that said, the more recent events (I think starting with Fairy Gala IF) have been set after episode 6, since they have Ortho as a student and in his college gear. so there is a bit of a split there that Ghost Marriage/Phantom Bride falls into!

so basically...somewhere between episodes 2 and 6, and that's about as far as I think it can be nailed down! beyond that, whenever your heart tells you is right. 💙

[steveharrington]

major hornets nest moment here but i must speak my truth. its so fascinating to me how will byers was clearly written with the driving motivation and intention of making him a beloved fan favorite character and instead he falls so flat that, if you asked the average casual viewer of the show who doesn't engage in the fandom like, say, your coworker, the odds of him even being in their top five of favorite characters is pretty low.

will's disappearance kicks off the plot, singlehandedly. the first episode is literally called the vanishing of will byers. his name is shouted so much in the first season that most people would recognize the reference if you used the right cadence and desperation that winona ryder does. after not being featured much in season one, you'd think season two would've just like launched will/noah schnapp into stardom with how much more screentime he's given and how dramatic his plot is that season. but instead the fan favorites of season 2 were by and large el, hopper, dustin, steve, max, even bob who's barely there. that's not to say that there AREN'T will fans out there (and online i understand there are like entire armies dedicated to him/byler, but i'm talking about the average opinion of viewers as a whole, not just in fandom spaces) but think about all the stranger things merch you see in stores, the halloween costumes, the characters that appear in promotional materials when the show has partnerships with brands....will is so rarely featured. idk if any of yall ever got the chance to visit the stranger things pop up shop in any of its various locations, but there was such little mention of will in the stores theming or merchandise that it was almost funny. actually it WAS funny, to me, someone who does not care for him

i think the flop can be attributed to many things. one, noah schnapp is just not a very good actor and he doesn't have the same appeal in his performances that millie, sadie, caleb, gaten, priah, or finn do (although finn i've noticed is also kinda falling out of favor from majority audiences). one could argue that noah schnapp intentionally isn't given much to do, which is true and i'll circle back to that, but the decline in his acting between seasons 2 and 3 is truly a sight to behold. when he's not like tied up and screaming, he reallllllly struggles on the smaller scale performances compared to the other cast members his age. he doesn't really have the charm that gaten does or the humor that priah does or the depth that caleb does. (i don’t feel bad about saying this, btw, given noah schnapp’s behavior)

back to the vanishing of will byer's screen time. my beloved prettymuchit's eric striffler commented on how diminished will and mike's roles in the story have become in s4. "noah schnapp is below the grips on the call sheet" is my fav line, but he also makes an observation on finn's role that i think is soooo accurate. when mike and will are kneeling down next to the pizza dough freezer and watching el just kinda twitch while she fights vecna in her mind, eric and his co-host miles say "this is so embarrassing! finn's like, 'oh so gaten's fighting the monster? and i'm kneeling next to a tub at a pizza place? i used to be this show" and i think the same exact sentiment can be superimposed onto will

but i think this happened naturally, as the nature of the show is to shift its focus from character to character. not to mention the duffer brothers' obsession with tweaking their story to give audiences what they want. i've always held the belief that there isn't one main character of stranger things, rather a rotating circle of characters depending on the season you're watching. season one is mike, season two is hopper, season three is el, season four is max imo. again that's a little subjective and arguments could be made to swap those a little, but overall i think those characters stories and point of views take center stage during each of their respective seasons. by season 3, the duffers wanted to kick things up to a larger scale. the UD is no longer targeting just will, it's targeting the entire town. this works because a THIRD season in a row where this one kid specifically gets possessed would just be bonkers, so they kinda had to let him take a backseat. i'm not sure why they didn't let will be more involved in the mystery-solving portion of season 3....to this day that decision baffles me, but what's done is done and the will that everyone watched in season 3 literally just kinda follows everyone around and gets a small little slice of a plotline about wanting things to go back to normal, but alas

it like totally worked, though. though there are MANY complaints commonly made about season 3, i've never heard anyone offline complain that there wasn't enough will byers. i think the group in s3 that had the most success like, commercially, would be scoops troop and then a bit farther back i think most audiences enjoyed hopper/joyce/murray's dynamic. i think if there had been a huge outcry in the minimizing of will's role, the duffers would've backpedaled immediately. they aim to please. they can't even commit to killing of a main character out of fear that audiences will lose interest if we permanently lose hopper or max, so they just do some creative writing that allows them to milk the emotional consequence of those characters deaths without actually writing them off. if audiences on a large scale demanded that will be center stage, he would be. but they dont!

final point: i think will gets fucked over by the duffers obsession with romance. in season one, two of will's strongest dynamics are with his mom and brother. which like, yeah. theyre his immediately family and he is 12. but in seasons 2 and 3, jonathan spent all his screen time with nancy and from 2-4, joyce has spent all her screen time either with hopper or in the pursuit of finding hopper. these characters are written together as a package deal, typically. it was refreshing and unexpected to see jonathan get a whole season with a friend of his very own and his siblings, but they barely took advantage of that. jonathan and will get ummmm one (1) scene to talk about their emotions in a fucking 20 hour season. it's hard for will to be a main character when he rarely gets to interact with the people that make up the other half of his main dynamics.

as for byler, im of the belief that it will not be endgame because i just don't think they're going to break up mike and el at this point. i could be completely wrong and stand corrected, but im like 90% sure lol. i do think that will's s4 storyline resonated with a lot of people. even eric striffler! i think the issue is that the vastttt majority of people who watch this show above the age of like 15 do not feel invested about the romantic relationships between any of the kids. because why would they!!! theyre literally in middle school for 3/4 of the show. you would be hard pressed to find a vocal will stan online who doesn't also dedicate 90% of their engagement with the show to byler. which makes sense, because most if not all of will's scenes revolve around mike to some degree. but according to neilsen, the majority of stranger things audience is consistently in the 18-49 age range season by season. its more likely for adult audiences to identify with adults (or characters who are narratively treated like adults, like steve and nancy) than with any of the kids. esp when the kid in question, despite being written as the focal point of the show, has less relevant plotlines, less interaction with other characters, and an actor who just doesn't deliver on charm the way his fellow younger costars do

[genericpuff]

Not related to lore Olympus but this discussion seems a bit uhh strange. Some of the comments are calling Mattie bites a right woman hater. If you don't believe me,check this out.

https://www.reddit.com/r/webtoons/s/4zaDi6fWos

god okay I feel like I'm opening Pandora's Box with this shit but I have lots to say about it so... yeah fuck it, let's do this, I'm brave-

So I can absolutely agree with OP's sentiment that BlackLightJack's content has become uh... more aggressive and mean-spirited , and don't get me wrong, that was always sort of his vibe, but now it feels like he's straight up just weaponizing his fanbase and like... y'all know how curt I get about LO here, I can be a real asshole about it, even I think what BLJ is doing feels really shitty, immature, and frankly just uninformed? Because most of his videos are just him pout-screaming profanities into the microphone, like I know this is gonna sound nitpicky and petty but I can literally hear it in his voice that he's enunciating his words the same way an 8 year old would so that spit would land on the person they're yelling at ("STOOOOOOOOO-PPP-UHHHHH") and lately his content just feels like what it used to feel like being in CoD lobbies back in the day. Him having the name 'webtoon killer' just gives me such a sour taste in my mouth. Like... this feels like some kind of Batman villain in the making LMAO

But maybe no one wants to hear that opinion from someone like me who's literally called themselves the "far superior off brand" as a gag LMAO and that's fine honestly if you think I'm full of shit, this is also just my opinion!

But like... and I know I'm being an asshole going 'b-but-!' but... BLJ is also building an entire ass monetized platform off his vibe and using that platform to specifically go after Canvas series and creators. And let me tell you, while many would argue "well it's just the webtoons that are grossly negligent / breaking Webtoons' ToS / etc.", his fanbase is also constantly just sending him new comics to read and trash on and I feel like it's only a matter of time before he goes after a completely innocent creator whose only crime was being not great at webcomics which... shouldn't be viewed as a default crime punishable by pitchforks. That sorta already happened with the Fulcagay situation, I don't know Fulcagay and he almost definitely wouldn't know me, but he's a fellow Canvas creator who I've run into and shared a space with, and BLJ's original comments about him just felt incredibly off-base and volatile without giving even a shred of benefit of the doubt. I get the sense BLJ doesn't know about Hanlon's razor ("Never attribute to malice that which is adequately explained by stupidity") because EVERY video he does about every comic and creator he's addressing assumes maliciousness always.

This is the same shit we got with Youtube creators like Leafy who became infamous for just taking the piss out of everyone until they took it too far. Like, take it from me, it can be VERY easy to get so entrenched in being an asshole and taking the piss out of everything that completely innocent people get hit with splash damage, and if you're not willing to take responsibility for that, then you're gonna look like a bigger dick than the people you were aiming for. This pee analogy working for y'all? 😆

As for what Matty Bites has to do with that, I don't really get it? Like maybe I'm just misinformed here, maybe I haven't watched enough of her stuff, but she's never given me anywhere near the amount of red flags I get off listening to even one episode of BLJ. Matty feels like someone who actually reads and analyzes and researches the stuff she's criticizing in a way that's relatively harmless with her own flair sprinkled in (and her humor is hilarious btw, her opening skits are great LOL); BLJ meanwhile feels like he's constantly one opinion away from starting a #victimofcancelculture campaign because he's just trying to be as edgy and angry as possible LMAO (and ironically they're both often criticizing the same thing, but it goes to show how delivery makes a hell of a difference when it comes to dishing out criticism)

All that said, if there is something with Matty Bites that I'm missing here, I'm fully open to being informed because I haven't watched many of her videos and there could just as well be something that I've missed. But I don't think she's anywhere near as hostile as BLJ tends to be, I don't think Matty Bites' comedic video editing and sassy commentary has ever resulted in creators actually being attacked and bullied like BLJ's have.

Overall I think anyone who builds a platform or audience off criticizing content (and this includes me!) needs to practice responsibility and accountability in what they put out and what they choose to focus on and criticize. It can be really easy to accidentally use "criticism" as a get-out-of-jail-free card to just be a bully. It can be really easy to wind up leaving your criticism so unrefined and surface level without any deeper reflection that you never actually open your mind to anything and you just end up echoing out hate speech without even intending to. And it can be really, really easy to ruin your own palate from willingly consuming nothing but shit all day.

Just to quote some very famous words from a fictional character that absolutely apply here:

[notfreetoday]

MPW Ep 2 Subtitle Corrections

Subtitle Corrections: Ep 1 here

Cultural/Language Tidbits: Ep 2 here

Same translation disclaimer applies. Thanks to everyone reading the first post and geeking out with me in the notes, I really appreciate it XD Ok, Ep 2, let's go! Sorry in advance for the length!

If you're wondering why Yoh's freaking out about the rainy season even though they've been together for 3 years, the manga artist posted a clarification on twitter:

By the way, “it’s been 3 years since then” – that phrase refers to it being 3 years since that conversation regarding the slave contract. As for living together, they’ve only just started (to do so) around Mar/April*, so (at this point) it’s only been a few months (for them). What if (I) got it wrong…. I remember making a note of it, but the file that I wrote it in and passed over (to the crew) couldn’t be found right, so… (was it) a dream?” *Japan's rainy season comes around June/July, so this means that this is the first rainy season these two have been experienced together.

[Y: まずっ] Y: Tastes bad In case the original "that sucks" sounds like Yoh might be talking about the news of the young forecaster - he's really just talking about the food here.

[S: 遅くなるからいらねぇっつっただろう] Original: I told you not to bother since I returned late Mine: I told you I wouldn't need it cause I'd be late right? This is actually a pretty harsh sounding line tbh. It's sort of inkeeping with Segasaki's curtness, but still pretty harsh - so this tells us he's tired after a long day, and explains the frown on his face that Yoh just wipes away with his cuteness

Nikujaga literally means meat and potatoes. It's a stewed dish and a very well-loved comfort food. Super easy to make too (link goes to an easy to follow recipe, and the site also explains a little about the dish).

[Y: 本当、顔だけはいいよな] Y: Really, it's only his face that looks good.

I've talked about this in my cultural/language tidbits for this episode (linked up top) but I'll add it here for completion's sake

[Y: あ、いや。なんでもない…です*] (Ah, iya, nandemonai…desu*) Y: Ah, no, it's….nothing* Yoh let's his sentence trail off before tacking on a "desu" at the end. "Desu" is an ending verb characteristic of "polite" speech, which Yoh doesn't use frequently with Segasaki (in fact, by this point, he has not used polite speech with Segasaki at all, except for maybe saying the full form of the word "welcome home", and even that's pushing it). Here he adds it at the end as an afterthought (the polite form of "iya" would be "iie", if he had wanted the whole sentence to be polite from the get go), which tells us that Yoh's feeling a little off-kilter here, and does introduce the slightest distance between him and Segasaki. We'll see this distance increase as the episode goes on.

[Y: いや、どう考えても食べ過ぎだろう] Y: No but, no matter which way you look at it, (he's) eaten way too much hasn't he? Btw, if your hair started standing at the spoon scraping the pot - in the manga artist's post about visiting the shooting venue (as well as during Ep 1 twitter space) it was mentioned that Mashiko, the actor, can actually cook, so during filming they had to tell him what someone who can't would likely do, and also asked him to do the housework poorly (because Yoh's not supposed to be good at cooking or housework hahaha)

この人*、明日も朝早いんだよな。たぶん。 Original: This guy, has an early morning again tomorrow. Probably. Mine: This person*, has (to leave) early tomorrow morning too. Probably. *The word here is "kono hito", literally "this person". There's actually nothing wrong with the translation "this guy" tbh because that's a fairly neutral term in English, but I'm highlighting it here because in his monologues, Yoh usually refers to Segasaki using much rougher language, such as "koitsu, aitsu", except when he addresses Segasaki directly in his head. I'll talk more about how Yoh addresses Segasaki in the analysis post, but for now - this sentence hints that Yoh has clocked Segasaki's tiredness (subconsciously or not) and is feeling a little bad for him. Then again he quickly hides that by adding on "probably". (Adding the word "probably" behind your sentence is a common way to express doubt/negate what you just said, and incidentally is commonly used by comedians to deliver a punchline).

[Y: あの*…あの…寝るなら部屋でとおもって。] Original: Um… Hey… You should go back to your room. Mine: Um*... Um... if you're going to sleep then, (it would be better to sleep) in your room - at least that's what I thought...

*"あの…" (ano…), translated as "um" here, is a common sound you use when you want to get someone's attention but don't want to sound too demanding - it actually isn't being polite per se, but it does show the hesitancy with which Yoh approaches him. Contrast this with the way Segasaki gets Yoh's attention (so far it's just been "Yoh" or "Oi" - the latter of which you would NOT use unless you were close to the person, or looking for a fight).

As a general rule of thumb, the level of politeness in Japanese is directly correlated with the length of the sentence and just how far you can beat around the bush. So, Yoh's suggestion that Segasaki goes to sleep in his room is literally just "if sleeping, then room..." and everything else in that translation is assumed. He may not being using polite speech forms here (that would be "to omoimashita" instead of "to omotte") but this is still a common way to be polite because he's making a suggestion that is so mild Segasaki can choose to ignore it. This is a great example of Brown & Levinson's "negative politeness" which we'll revisit when analysing their speech patterns, and which you can read about in entirely too much detail here (free to read).

[Y: じゅあ、俺は寝るので** あの、その、そういうことで、おやすみ] Original: Then, I’ll go to sleep. That…sort of thing. Good night. Mine: So then, I'm going to bed, therefore**... Um... that... with that... night!

"Therefore" is an awkward translation for the word ので (node), which is more often translated as "so". I've chosen to use that word because "node", whilst again not a polite form per se, is less colloquial than the more commonly used "から(kara)", to mean the same thing. It tends to pop up more in writing than in speech. "Therefore" doesn't make a sentence polite/formal in English, but it's definitely less colloquial than using the word "so". The use of "node" is just that tiny bit out of place in this sentence paired with the informal pronoun "ore" for "I" as opposed to the more formal choice of "boku".

Again, Yoh answers Segasaki properly here with a "はい (hai)" as opposed to his usual "un" (which is a sound that expresses agreement), when told that Segasaki will be late again. There actually aren't very many moments where Yoh does speak politely to Segasaki (he's definitely rude when he talks about Segasaki in his head hahaha), so these moments stand out. This whole short exchange, together with the random -desu he added earlier, just make Yoh's sentences a little more stilted/awkward, and more distant. Individually they don't deserve much mention at all, but together, and in the context of his jealousy, show just how unsure Yoh is about where he stands with Segasaki.

[Y: あの人の帰宅が遅くなり] Y: That person returned home later and later

"That person" - similar to the above usage of "this person". This sentence is incomplete - the verb form of the last word - 遅くなり (osokunari) indicates that there should be a second part to the sentence (the "completed" form would be osokunatta). But after he says this, there is a pregnant pause, as Yoh puts his phone down and continues cooking alone. The pause continues all the way into the next scene, before the sentence continues, highlighting the loneliness that Yoh feels.

[Y: 当然、触れられることもないままに] Original: Of course, he did not touch me at all Mine: (and) of course, (I) remained untouched (by him) as well

The literal translation for this would be "(the situation in which I) was not touched (by him) continued on as well". Yoh uses the passive form of the word "touch", which places the emphasis on Yoh "receiving" the action of being touched as opposed to placing the emphasis on Segasaki "carrying out" the action of touching Yoh. Consider the difference between the sentences "I was hurt by him" and "he hurt me". The former is the passive form, and is super common in Jp, much less common in Eng. If this is confusing - welcome to Jp grammar just know that the emphasis of this line is more on what Yoh does not have, rather than what Segasaki has not done. It accentuates Yoh's feelings of emptiness and loss.

Y: すっかり日々は過ぎて Y: The days pass by completely ...

Similarly, this sentence is "incomplete", and is instead continued by Segasaki walking in and telling Yoh he'll be late again. (This whole bit just hurts my soul tbh, Yoh is so lonely. )

This is a teruteru bouzu aka a charm of sorts for good weather. See the cultural tidbits post for Ep 2 linked up top for more info!

This is said really strongly, and gives the "what the hell are you doing" feel. Yoh's truly upset here.

I try not to care about some of the subs in these side conversations because they don't add much to the main story and these posts are already too long, but this sentence should really be "Dammit, maybe I should (go) troll the chat" (and the previous sentence should be "If this was broadcasted in a certain country it would be instant death" aka N.Korea ^^;) and I just think it was a nice touch to hint at the fandom wars/flaming that goes on between fans hahaha

[Y: しんどい] Y: This is too draining The word here used is "shindoi", which is a term used when you're feeling mentally/physically exhausted/drained, and carries a sense of frustration (at feeling this way) and sometimes (emotional) pain.

This. Is. Huge. Segasaki does 2 things here - one, he rejects an after-work meal, which you rarely do because Japan is all about the group and rejecting a group invite, to welcome a new member, can make you seem like you aren't a team player - two, the guy who invites him is his senior, which you can tell because Segasaki sticks to polite speech forms whilst the other guy does not. It's still relatively casual, so you can tell he's got a good working relationship with them (probably why he's not worried about rejecting them) but still. In Segasaki's world, Yoh is the No. 1 priority.

This is more accurately "WTF". There are many sounds in Japanese that aren't exactly words, but carry a lot of meaning - "Haa?!" is one of them, and is a very rude way to express a lot of anger and shock. Please, never say this in real life. You will royally piss off whoever it's directed at and if you are outside a Shibuya bar you will get punched.

The word used here is てめぇ (temee), which is a really rude way to say "you", and has the same energy as "you bastard". Segasaki usually uses the informal pronoun "omae" for "you" when he talks to Yoh, he's definitely pissed off here.

This is the same word, "shindoi" again.

I'm going to put the rest of the whole argument here with just my translation because it's too long to screencap the whole thing.

[S: 何なんだよ？このエロい惨状は Y: うるさい。 Y: 俺は売れっ子エロ漫画家になるんだ S: なんだそりゃ。おい *takes away beer can* Y: 売れっ子さんが　シコリながらネーム描くと　いいのができるって言ってた S: なんも描けてなかったぞ。 S: おい、だめだっつってんの S: 飲みすぎ　出すもん出して　寝てただけだろう Y: 黙れ！ Y: 俺はエロくて　抜ける漫画描いて　いっぱい稼いで Y: 早く　こんなとこ出ていくんだ S: はあ？　おい、お前　どういうつもりだよ Y: どうもこうもないよ！ Y: 平気で抱かれてると思うなよ 。 Y: 俺のこと、好きでもないくせに Y: 便利な奴隷としか思ってないんだろう？そんなにやりたきゃ隣のキャスターとやってろよ S: お前　さっきから　何を... Y: 俺はあんな風に笑いかけられたことない]

Breakdown: S: What's up with this? This lewd disaster of a scene Y: (You're) annoying! ["うるさい (urusai)" is often translated as "shut up", but it literally means someone is being "noisy", and here is more of a complaint that Segasaki is being bothersome] Y: I'm going to become a hot-selling erotica manga artist! [the word used here is 売れっ子 (urekko), which literally means "someone who gets huge sales" and mostly refers to idols, entertainers, TV personalities etc. So Yoh is not just saying he's going to become popular, he's saying he's gonna be like a celebrity manga artist, which is why Segasaki snorts a little at this] S: What's with that? Hey. *takes away beer can* Y: The hot sellers say that if you jerk off whilst drawing your storyboard, you'll come up with good stuff [urekko-san is a pretty cute way of referring to these popular artists] S: You've not drawn anything, you know? [this is said with a really indulgent air, which contrasts directly with the more authoritative tone of the next line] S: Hey, I'm telling you no more *grabs beer can* S: You drank too much. You just shot what you shot and then went to sleep didn't you? [And this is back to an indulgent tone - also, everyone knows Segasaki is talking about cumming here, he just doesn't actually say it so directly] Y: Shut up! ["黙れ (damare) - contrast with "urusai" earlier. The former is used much less commonly and really does mean to "be quiet". This is why Segasaki pauses and looks at Yoh. Up until now Segasaki just thinks Yoh's gotten drunk and is whining cutely, but this word means things are serious.] Y: I'm going to draw manga that is erotic, that you can wank off to, and then earn lots of money [this is a call back to the conversation with Man-san over the phone in Ep 1, which I did not include earlier because I didn't think it was important to the story when Yoh says "the work that was released last month was amazing! There was a big buzz around the topic "I can't wank off (to this)" - Yoh was being sarcastic here, meaning that he got reviews that his work wasn't erotic enough] Y: and leave this sort of place soon! S: What? Hey - what (the hell) are you thinking? [Again, "haa?" here shows he does NOT like what Yoh's saying, but he does soften the end of the sentence with a "yo"] Y: I'm not thinking of anything! Y: Embracing me so easily - don't think you can (keep on) doing that [again, this is the passive form, so the emphasis is on Yoh being embraced, and here has the nuance of "don't think I'll just (keep on) being fine with being embraced (by you) like it's some sort of norm"] Y: when you don't even like me [this line has quite a bit of bitterness in it - the emphasis here is strongly on Segasaki and his apparent "non-liking" of Yoh my english is dying.] Y: You think of me as just a convenient slave, don't you? Y: If you want to do it that much, go do it with that forecaster next to you! S: You... from the start... what have (you been saying?) Y: I have never been smiled at like that before [again, this is in passive voice]

It's obvious from the acting alone that this entire argument is pretty emotionally charged - this is also reflected in the language because Yoh uses the pronoun "ore (I)" a lot. Pronouns are frequently dropped in Japanese - often you can go an entire conversation without ever uttering the words "I/me" or "you", in part because the pronouns are assumed and also because emphasis on an individual can come across as too selfish/narcissistic or direct. Segasaki uses them often enough with Yoh, which fits his personality, but Yoh normally doesn't. So, when he uses "ore" here it stands out - his plans to be successful and leave, his feelings, his interpretation of Segasaki's actions - all of the emphasis is on his own self. The message is very clear - Yoh is hurting a lot more than he is blaming or accusing Segasaki.

[Y: もう疲れた。あんたといると疲れる。嫌いだ S: お前　酒入るとめちゃくちゃしゃべるんだな Y: ねぇ、何で雨の時はだめなの？ S: はあ？　だって、お前が言ったんだろう] Y: (I'm) tired out. When (I'm) with you, (I) get tired. Hate it. [We've lost the "I" pronouns here, because the emphasis is on the extreme sense of physical and emotional fatigue as opposed to Yoh himself, and on how much he dislikes that feeling. Of note, "hate" here is closer to "detest/really dislike" - the word is "kirai" - which is not as strong as the word "nikui" which we talked about in Ep 1 when Yoh said he hated the part of him that always listened to Segasaki. Also, this is the first time Yoh has addressed Segasaki with the pronoun "you" out loud - he uses "あんた anta", which he also used in his head in Ep 1, after they did it. Again, we'll talk about this in the analysis post in the future, but for now just know that this term is usually used between older couples.] S: You... once you start drinking you really start talking huh? [literally, you "become able to talk"] Y: Hey...why is it when it rains, (we) can't do it? S: What? Because, you said so didn't you? [the last "haa?" from Segasaki! This time expressing his surprise and slight indignation.]

[S: 俺は優しいんだ] S: I. am. Kind. Great example of Segasaki's use of the "ore" pronoun here to quite literally emphasise how great he is. "優しい (kind)" in Japanese carries the connotation of being thoughtful, anticipating the other person's needs and wants and then meeting them etc. It's a characteristic that people often say they look for in their potential partners.

[S: そもそも、なんだ先の言いぐさは 好きじゃないだの　出ていきたいだの お前　俺のプロポーズを受けといてよくそんなことが言えんな S: 養ってやる*っつってんだ　プロポーズ以外になに] S: In the first place, what was with those things you said earlier? That you don't like me, that you want to leave... You... that was rich, saying all that after accepting my proposal. S: I was saying I'd provide and care* for you. If that's not a proposal than what is? ["養ってやる" is a pretty possessive way to say I'll provide for you - it's the same word used when referring to parent providing for a child, or an owner providing for a small animal. It's not rude per se, but it does imply a power imbalance. Segasaki actually sort of has a point here because... this is not something you say to someone else unless you're in a relationship ^^;]

S: ていうかお前、俺のこと嫌いなんだ S: どうなの S: Actually about that... so you hate me huh? S: Which is it?

S: ふーん。あ、そ S: Ohh..? I see. ふーん (Ohh..?) - Segasaki says this a lot, especially in this episode. This is another one of those sounds that isn't a word but carries a lot of meaning. It has a dismissive sort of tone to it, like you've already assumed something or when you're pretty nonchalant/not impressed about whatever the other person has said and are just playing along with them by giving them some attention (so again, if you use it wrongly, it can piss people off). Segasaki uses it whenever Yoh goes mute or shy, as a way to tease Yoh - though Yoh seems to think Segasaki is dismissing/not interested in his answer. あ、そ (A, so) - again, Segasaki says this a lot - can be interpreted as "oh really?/I see/is that so?" - Combined with the above, you can see why Yoh often thinks Segasaki isn't interested in his answer, and even when he does recognise it as teasing, he gets too flustered to do anything about it.

This seems to have gotten longer, if you reached the end - congratulations! I hope this makes it a little clearer why it's so obvious to us as the viewer that Segasaki is really quite patient with Yoh, and is waiting for him to come to terms with his feelings, but at the same time so confusing for Yoh, because of the way many of these interactions can be read both ways. In Ep 3, we'll really be able to get into their dynamics because they've got so much more interaction together.

[limetameta]

I don't know why more fic writers don't utilise the Wayne Gardens Halfway House for criminals and then the consequent Wayne Enterprises employment like Bruce Wayne is out here doing his darndest do give the Rogues a safer and easier transition into the real world post Arkham and yet I don't think I've ever come across a Halfway house fic once. (This is me begging for fic recs about this BTW feel free to gimme)

Like this concept is from the btas episode Double Talk where Arnold (Scarface's ventriloquist) is well enough to leave Arkham and he gets to the House, and he has a job in the Wayne Enterprises mail room. It's a very sad episode for other reasons but it's still so touching how much Bruce tried to make this difficult period of house finding and job searching all but done for them already.

So what I'm getting at here is what if more of the Rogues got to this point.

Ideas under the cut

Harley decorating her room however she wants and putting Ivy's plants in there because she doesn't have to worry about if doctors or guards will make a fuss about it. This is her space. She has a job now, too. A paper pushing job, but she's in a programme to get her licence back and everything is looking up for her! Thanks Bruce!

Edward making a dnd campaign group with his fellow Halfway House rogues because Harley commented that once curfew sets in she doesn't know what to do with herself. He shows up at work at Wayne Enterprises on the dot every morning, having set like 7 alarms so he doesn't sleep through because he isn't going to waste his one chance. He's the game developer in their suspiciously newly minted game department.

Plus, he has Temple Fugate to wake him up, who lives right next door and is up before everyone else. Man knows how to bake. He bakes and says that it's a calming activity with a set schedule that if he deviates from it will be catastrophic. Besides, it's nice to have hobbies.

At this point, Jonathan Crane, also in a programme to get his licence back, comments about how he'll probably be back in Arkham sooner than later. Harley laughs. "You can't SERIOUSLY be thinking of applying as a doctor there AGAIN?" And Jonathan, with the biggest shite-eating grin, just says: "Oh who's to say. Maybe just to see the reactions."

Gimme a fic where they break away from the cyclical status quo. Where you can feel the hope . Where they all treat this as seriously as they can because Bruce Wayne truly believes in them. And that's so rare. After everything that's happened.

Pamela who works in a botanical garden funded by Wayne Corp. Mr Fries who is allowed to research with scientists employed by Wayne Enterprises on how to cure his predicament. His wife Nora (Post movie) supporting him every step of the way (maybe she and Grace (Harvey's fiancee) are friends and helping each other as well as the men they love)

Harvey getting the operation finally and having a chance to recuperate. Though him, I think they might pull him quickly out of the Halfway House because he's a high profile man and some might think that being in a Halfway House would be beneath him. Maybe this works for him. He works as a lawyer in Wayne Enterprises and all he can say to Bruce, when he sees him is this: "Thank you for never giving up on me, old friend."

Though Harvey does get hooked on dnd and he does come by to play once a week. Edward is looking forward to a promotion to head of department.

They all know that sooner or later they'll need to leave the Halfway House and find different accommodation but they all tentatively agree that they won't push themselves before being fully, truly ready for it.

Harley points at Edward and tells him: "I'm gonna miss you guys so much! Why don't we all live together or get apartments in the same building like in a sitcom?"

And Jonathan is the only one who says he hates this idea, though it's very half-hearted and they know he isn't fighting the idea of that.

Waylon gets a job as a fisherman. Man is living out those A perfect Storm dreams of his. He gets paid the most from all of the Rogues because he's always been very materialistic and money means very little to Bruce Wayne.

Mary Dahl and Matt Hagen respectively get jobs working in a theatre group in Gotham. It isn't that visited, but they aren't ridiculed for being who they are. Romance because I ship them and I think this makes more sense than Waylon/Mary lmao. They're in counseling anyway so it's not like they can be that toxic to each other.

Speaking of romance~

The only one who's never gotten as far as the Wayne Gardens Halfway House is the Joker. But you see, that man can do whatever he puts his mind to. He's bored so he might as well speed run his way out of Arkham.

And everyone is worried about this. Because if there's one person who can undo all of their careful progress just by being his loathsome clown self, it's the Joker.

But he, just like all of them, winds up his alarm to get to his Wayne Enterprises job. He is nail bitingly saccharine to them. One time, he even washed the dishes that weren't his in the communal kitchen space. Something's off.

Once confronted, the Joker just smiles and says airily: "Oh pish-posh! I'm just in a good mood is all. I can finally see my boyfriend on a regular basis. Mon amour, Mon petit chou-fleur. Mon âme!"

Something is definitely off because Edward says that the Joker got a nicer job than all of them. He works CLOSELY to Bruce Wayne as his assistant. And that doesn't make sense. Why would Bruce Wayne let that happen? Surely he'd want to avoid someone like the Joker.

And it's Jonathan that sighs: "Do you think that his boyfriend IS Bruce Wayne?"

"No??? Why?? God??? God no???"

"Think about it. Bruce Wayne is the 1%, they're all very weird people with kinks that us in the psychology department would relish in untangling. What's some clown fuckery on the side? If anything, that's a lot tamer than what most of his contemporaries are doing behind closed doors."

Immediate horror from everyone. Harley is the first one to shout: "If that good for nothing clown fucks up this good gig we got by breaking Bruce's heart I'm going to kill him!!"

So they confront the Joker by knocking on his room in the middle of the night. And maybe they shouldn't have done that because he's supposed to be out cold, having been prescribed sleeping pills and all that. But they knock again, nonetheless.

They hear a bang. And a crash from the inside. And half of the Rogues just kind of take a step back. Harley and Pamela are the ones who stay closest to the door. Pamela shouts: "Open up, clown!"

Jonathan narrows his eyes as he cranes his way towards the door, trying to make out the sounds on the other end. He coughs to swallow down a laugh: "There's a lot of moaning in there."

"Hey, hey, you're going to get us all in trouble if you've brought folks over! It's past curfew!" Harley yells.

And it's at this moment that the moaning kind of stops. There aren't any crashes. Someone grips the door handle from the inside and turns it open.

The Rogues all take yet another step back, this time all of them.

It's Batman. The portion of his face visible from the cowl is covered in red lipstick. He sighs, and his voice doesn't quite manage to lose that post make out tinge: "Nobody's going to get in trouble. I'll talk to Bruce Wayne and clear anything up. Go ahead and play your dnd. Thank you, goodbye." And just as he closes the door, the Joker erupts in a fit of laughter on the other end.

"I'LL TALK TO BRUCE WAYNE, HE SAYS! HA! OH!! OH, THAT'S SO FUNNY!!"

[prettyboykatsuki]

POOKIE BEAR I NEED TO KNOW WHAT U THINK ABOUT OTOYA ..... pleaseeee pretty pleaseeee

ive said this before about otoya but unlike oliver who i do genuinely believe is fixable i dont think otoya is . not in the same way at least

(no real tags but a lot of casual talk about cheating cause otoya is a jackass)

however . however however HOWEVER.

i do think he is like . not immune to falling in love in the same way that oliver is. olivers aversion to love is pretty delibrate but otoya is not really doing it out of like... something deeper he just likes to pursue whatever is light and fun for him which is why he dates a million girls at a time and he's also kind of dumbass ❤️

my opinion of both him and karasu changed a bit when they released the panels of him in episode nagi spin off and it was basically saying he's no thoughts head empty and kind of a whore. but it's like for the love of the game and i dont think he pisses you off nearly as much as oliver does.

im not defending him like he's an idiot but i do think he's harmless and i dont think it's a herculean labor to get him to catch feelings for you but it's not something you can force by pursuing him? i think if you want to date otoya you really Really have to be his friend.

like. you can't date him off the bat because he automatically sees dating = playing around. you have to be his friend for a few years first i think to get him to view you as a person and not a dating partner. and at some point during that i think he uses the empty space in his head to form a thought and kind of lands upon - it's more fun being with you than it is dating other girls

so in my head it plays out like. you become good close friends and stay like that for a while. you get along well. otoya enjoys hanging out and having fun with you more than he likes dating around at some point. he decides to ask you out kind of frivolously though its just for kicks and you know that already.

and you have to tell him no i think. LMAO. otoya is not a serious person. flat out rejection and telling him explicitly why you're rejecting him is the only way to get him to self reflect at all. saying you won't date him because you want a serious relationship and boyfriend is the only way to get him to consider it.

and like. tbh even then it's not really going to hit him right away. he's kind of annoyed by it and a little sad. but his whole thing is not to worry about something so he shrugs it off at first because you dont have any reason to stop being friends and spend a lot of time together still.

i think the only time he will reflect on this is when you after he realizes he likes you in some way and after you start dating someone else.

someone seriously pursuing you is kind of a pain. they take away the time you spend with him and it's also weirdly annoying to him to see you fawn over someone. he tries to write it off several times after that too tho lol

eventually he asks you again to date him. and it's when you're dating another dude and have been for a while. basically saying you can cheat on your bf with him. this is a really roudabout way to get you to hang w him again.

and when you're like ? im not doing that lol. he gets genuinely like confused. asks if this guy is really that great.

when you respond that he is otoya is like . well whatever. and he leaves to go play around again. doesn't think about it. but he does notice how everything feels kind of dull

its not exciting anymore. but he just ignores it for a while.

i think it only really dawns on him when he sees like. a video of you and your current boyfriend. you're at an arcade. it's not a romantic post but it's like a Silly Fun post where you're getting along and doing something fun.

thats like. the first time he gets seriously annoyed with it. and he goes to consult with karasu (who thinks this entire thing is so fucking funny btw. and makes him respect you way more than before) and karasu is like dude lol

and otoya doesn't get it. karasu sort of lays it out like you're just jealous dude. and otoya is like huh.

karasu is frank and tells otoya to give up on you LMFAOOOO. because you have enough self respect to turn him down and you know what otoya is like. and otoya is like but im bored without them. and karasu laughs himself into a fit and is like tough shit that's karma for you lol

he doesn't know what to do after that. it's really suffocating and bothersome for him. and like. you're one of his best friends and he likes you and feels good being around you so he's really dejected about this.

i think he goes to hang out and says all of this to you. and you're not surprised bc you do know him well he's your best friend. and you're like we can still hang out but i have a bf dude i want to be with him.

and he just like. outright asks what would make you reconsider. and you're like LMAO?

so you give him the rundown on your standards. no cheating is bare minimum. and you give him your actual list of standards and he's like how can i do that if we're not dating.

u dont take him seriously so you tell him that if he can stop talking to multiple girls at once you'll seriously consider him. and he doesn't think to agree but he gets that irritated feeling thinking about you not having fun w him again and agrees.

anyways. i do think you get through to him eventually. but like with oliver you have to set your boundaries firm and make it clear that you're not gonna bend to him just cause you're friends. and your relationship is probably rocky until he's at real risk of losing you forever at least once.

i think at some point though down the line he's like. being with you is more fun. and he likes to make you happy and shit. and he is also a little easily jealous which is deeply hypocritical.

anyways. idc about that guy and havent thought of him at all

[ryin-silverfish]

LMK S5 Fix-it: the Four Divine Beasts

My feeling on LMK S5 has stayed pretty consistent after first watching the Chinese dub: "nice character moments, but what even is this worldbuilding?"

And personally, the Four Divine Beasts/Guardians/Symbols are the biggest symptom of S5's worldbuilding problem.

Namely, they feel more like plot devices that are just there to die and cough up the Color Stones, and as a result, 4/5 of the "Find the Color Stone" plotline felt like a worse version of S3 and the Samadhi Rings, but with even less flavor.

Now, I'm aware of the 11-minute episode constraint, as well as the pressure the studio change might have created that contributed to the overall feeling of rushed-ness.

However, my criticism here is about the writing and worldbuilding, not the animation quality——things that, in my humble and uneducated opinion, could have been done a lot better even if we were sticking to the "Find the McGuffins" plotline.

Thus, this post. As always: very lengthy, very Chinese-mythos inspired.

Four Guardians & Five Phases

A brief Google Search on the Four Symbols, aka Sixiang, will tell you this: the Azure Dragon, White Tiger, Vermillion Bird and Black Tortoise are divine beasts in Chinese mythology that watch over the four directions, each associated with a color and one of the Five Phases.

(An old post of mine briefly talked about their origins as personifications of four big constellations that occupy a quadrant of the sky each, and their relations to the 28 Lunar Mansions)

And S5 certainly paid homage to their elemental associations, however brief and surface-level it is.

The Vermillion Bird's ability to use fire and its flaming temple is the most notable example, but this screenshot of the seal that appeared at the temple entrances also shows five symbols:

From middle left, going in the clockwise direction, these appear to be the characters for Wood, Water, Fire, Earth and Metal in Oracle Bone/Bronze Script.

Which begs the question...why would you spend so much effort on the tiny visual details, yet not show most of their elemental association through the narrative itself?

Like, suppose you are a foreign audience that knows nothing about Chinese culture and legends, who have just finished watching S5, and I ask you "What elemental powers do each of the Four Symbols have?"

Apart from Vermillion Bird = Fire (the obvious one) and the Black Tortoise = maybe Earth (which is not mythos-accurate, btw), can you honestly answer it, based only on what the show has given you?

Which leads me to my biggest gripe: their random-as-hell placement.

Even the Samadhi Rings have a map, however vague it is, but with the Color Stones, the gang basically just wandered all over the place in the hope of eventually running into one of the divine beasts——and they did, somehow!

Like, I'm not asking the writers for an entire mini-arc that's just them piecing the clues together. But will it be too much to let SWK or Tang make an off-hand comment like this?

"Well, legends said that the Four Symbols watch over the four directions and their respective elements. So if we wanna find them, we just gotta go real far in these directions, toward places with the most of that... elemental stuff! Right?"

And that brings me to the actual fix-it part. The Vermillion Bird can stay where she is, but the placement of the other three should also logically follow their elemental associations.

Oh, and though there's limited space for their characterization, they should at least get some individual characterization apart from "wise ancient guardians".

Xuanwu, Black Tortoise of the North

The fact that Xuanwu, or rather, it's snake half, can transform into stone at will might lead you to believe that its element is Earth.

Well...no, not traditionally; the Black Tortoise and the North correspond to Water in the Five Phases system, and I'm gonna both stick to that and build my fix-it off this foundation.

Instead of cosplaying a stone statue in the middle of nowhere, Xuanwu is gonna be residing on one of the islands in the North Sea, where dark tides and huge snow storms rage endlessly under the sunless sky.

So Sandy, being the water travel specialist, is gonna head out there on his boat. Mei would go to her great x N granduncle, Ao Guang's place, to see if he has any clues on, well, this big blue dragon that's also of the East.

Pigsy and Tang would head west, classic JTTW style, towards the mythical Mt. Kunlun where Queen Mother of the West resides (based on one of Tang's books that said the White Tiger was her emissary), while SWK performs an all-round search everywhere on his somersault cloud.

Which leaves MK: his dilemma is not about some random divergence in the road, but which of his friends to follow. Like, what if he goes with one person, and something bad happen to the others in the meantime?

In the end, even though he reluctantly goes with Sandy, he is still constantly distracted by his worries about everyone else, which segments nicely into the meditation training of S5E3.

But since they are doing it on a boat, there can be an external storm to go with the internal storm, causing further distractions for MK and also forcing them to seek shelter on the nearest island.

An island that, strangely, seems to be coated in a thin layer of ice. It isn't just the earth that's frosted over: all the plants, a few unfortunate multi-headed (???) seabirds, and a snake have also turned into ice statues...

Wait, snake? How does a reptile survive this far out in the north?

They have a bigger concern, however. The ice is slowly but steadily spreading, over the beaches and the surrounding seawater, and if they don't finish the search soon, the ice might get too thick for the boat to break.

So MK dashed off to do a grid-by grid search, then circled back to the place with all the frozen statues...and found the snake missing.

Cue, peak paranoia moment, and going on a wild-goose chase for the missing snake that might or might not be an ice-wielding demon waiting to ambush them.

In fact, the snake almost seems to be taunting them, seeing how they run into several "frozen snake statues" that turned out to be made of actual, solid ice. Sandy keeps reminding him to stop and think, while MK finds it harder and harder to put the lessons to practice.

By following the trail of ice statues, however, they eventually arrived on a little island in the middle of a frozen lake, where the real snake——the one half of Xuanwu lay coiling around the Blue Color Stone.

Just when MK is about to dash out and grab it, the snake comes to life with a hiss, and they barely dodged the ice spikes rising up from underneath their feet.

"Begone, foul spawn of Hundun! Return to thy conniving master, ilk of the Floodbringer, before I freeze every single drop of thy tainted blood!" "Um, I-I think you've mistaken me for someone else? I'm the Monkie Kid, and I'm here to collect your Color Stone so I can save the world——" "Doth thee mistake me for a fool, too?" The snake bore its fangs, rising its head high up into the air. "I can feel the flames of dear Lingguang on you, murderer, ripped straight out of its rightful owner's chest! She would not have perished without a fight, nor shalt I!" "Enough, Zhiming."

The tiny island itself begins to shake, revealing the other half of Xuanwu, the Black Tortoise itself. The snake still manages to half-encast Sandy in ice, before the Black Tortoise traps it inside a ball of flowing water.

She briefly apologized for her twin's hostility——whereas the strain of keeping the world together affects her body in the form of visible cracks, her other half has not been in his right mind ever since the Vermillion Bird's fall, living in the distant past and rarely able to perceive the present.

(The whole conversation is punctuated by the snake's psychic screeches in the background, which alternates between accusing her of betrayal and stating she must have fallen victim to the "poisonous blood of the enemy".)

Which makes the upcoming trial even more necessary. No, it's not "mercy-kill her twin". Yet. MK needs to prove his ability to control his body and mind, that his psyche will not break like her other half here under the tremendous pressure.

Thus, the trial of meditation. And he needs to act fast, for she cannot hold the snake back for long, as made evident by the slowly creeping ice inside and outside his watery prison.

"If you are truly worthy, then vanquish your fears, and stand before us in your true form. Brandish Lingguang's stone, so that we may be released from our watch in the long night."

MK succeeded, like he did in canon, with a small difference: his mastery of the monkey form is required for, and enables the limited usage of the stone's power.

So, holding the Red Color Stone, he unleashes a wave of fiery light that melts away the ice on Sandy and finally brings the snake back to his senses...somewhat.

He only managed to say the Vermillion Bird's name in a wistful voice, exclaiming "How I missed thy warm flames!" before melting into a puddle of water.

The other half of Xuanwu soon followed after giving him the stone, disintegrating into a mass of snowflakes that is swept away by the wind, but not before dropping one last bit of foreshadowing:

"Trust not the Floodbringer's Emissary."

(Sidenote: I think it'll be neat if the Four Symbols refer to each other using their IRL Daoist titles. Vermillion Bird - Lingguang, Black Tortoise & Snake - Zhiming, Azure Dragon - Mengzhang, White Tiger - Jianbing)

Azure Dragon & White Tiger

...And I thought Xuanwu's placement was random.

No, seriously, why is there a random music festival that just happens to be Azure Dragon and White Tiger themed that just happens to be near the actual place the two divine beasts are at?

To stay within the show's time constraint, I will not be giving White Tiger his individually themed placement, and instead try to come up with something that is appropriate for the pair as a whole.

Since Azure Dragon's associated element is Wood, it makes sense for him to have plant powers. Namely, whereever the divine beast resides, floras and faunas will flourish, no matter how out of place with the local geography and climate.

Once Mei learned that from Ao Guang, theoretically, it becomes quite the easy find: the mythical oasis city in western China, one that shows up multiple times in historical travel records yet has never been found by archeologists.

And the reason will soon become clear, as Tang and Pigsy make the drive from one desert city to another on their way to Mt. Kunlun (joined by Mei after she returned from the Samadhi Fire side-arc).

Namely, it's like a magical version of the famous Peach Blossom Spring of Chinese literature: an entire city that has been glamored over by the power of the divine beasts, occupied by people whose way of life hasn't changed since the Tang dynasty.

But as the guardians' powers fade, so does the illusion that veils it from the outside world, and the elemental magic that sustains this paradise.

Instead of a music festival, the gang finally discover the city that, according to the locals, has appeared out of thin air a few days ago, while it is in the middle of an archaic ritual procession.

The atmosphere is a lot more solemn, and it isn't hard to see why. Not only has the illusion vanished, exposing them to a profoundly alien world, the foliage of the oasis are growing and dying in rapid succession, clogging the streets with fallen leaves and yellowed petals.

An opera play is going on atop a nearby stage. It sings of a teal-robed immortal who rescued the refugees of a long-forgotten war, who turned desert into fertile soil with the help of a mighty divine general, concealing their existence from the greed and malice of the outside world.

The people in the procession knelt down and pleaded to the immortal for aid, to not abandon them in their hour of need. And their prayers are, indeed, answered, just not by the divine beasts in person.

The 14 Lunar Mansions that belong to the Azure Dragon and White Tiger descended from the sky, summoned by their masters, though they seemed to have been given different orders.

Namely, the Azure Dragon 7 spread out to guard all the major city gates, letting no one enter or leave, while the White Tiger 7 are ordered to round up all the residents and start setting up a teleportation formation.

Soon afterwards, Nezha arrived in the midst of the chaos. He is just as clueless as to what was going on as the Monkie Kid gang, but the moment he caught sight of SWK and friends, he's after them in hot pursuit.

Meanwhile, Li Jing is not happy about the Lunar Mansions suddenly acting without his orders, and commanded them to stand down or be arrested for insubordination.

"With all due respect, Devaraja Li——" Before the Moon Fox Star could finish her sentence, another stellar beast stepped forth, his tiger tail swishing behind him. "Who the hell do you think you are?"

Results: most of the Azure Dragon 7 get sucked into his pagoda, but while they were fighting, the White Tiger 7's formation activated, teleporting the majority of the city residents to god knows where.

While shit was hitting the fan, Tang hurriedly teleported the gang away, right into the sanctuary of the divine beasts——an underground temple.

"It's over, Mengzhang. Now that the Harbinger is on our doorsteps, and your pet mortals are safe at the cost of our loyal warriors, will you finally rest easy?" "Not...yet. There are still...stragglers, left behind." "Stragglers you have doomed yourself! Their fate is sealed the moment you cast your mirage over their ancestors and create this little utopia, frozen in time." The cracks on the tiger's body widened. A thick layer of condensation began forming on the metal reliefs, as if the very walls of the temple were weeping. "I should have never agreed to stay and help." "Yet you...still did. And I'm so glad you are here."

Yep, in this fix-it, I decide to use the Azure Dragon & White Tiger for some thematic parallels, with them basically repeating Nvwa and the Pillar of Heaven on a smaller scale.

The former created a garden city in the middle of the desert, while the latter uses his power to provide the water source that sustains the city (because Metal births Water).

As the end approaches, however, they are faced with the problem of ensuring the city residents' safety, since, upon their death, the entire oasis will revert to a desert overnight.

The White Tiger feels like there's no point in trying anything, since their death means the Harbinger will fulfill his destiny soon and give the world a reboot.

But the Azure Dragon insists on channeling his power into the land until the very last possible moment, so that the people's last memories will be a mundane, peaceful one.

Besides, they know very well that Fate and Destiny are no longer ironclad, when the very laws of reality are breaking down. How, then, can he be sure that the cycle will end and the world will be reforged as Nvwa intended, seeing that its premature beginning is already an outlier?

After a long argument, they had reached an uneasy compromise. Thus, the chaotic arrival of the Lunar Mansions and the hurried evacuation of the residents.

"You will understand, won't you, Harbinger?" The dragon looked into his eyes. "Even if you know it's selfish and futile, that you can't keep them safe forever, you are still going to give your all, just so their happy days will last a little longer..." "It is easy for Brother Jianbing to say, let go, face your end with honor. For Metal is the clashes of blades, the unforgiving axe of executioners." "I? This old fool just saw lives. Of men and women, children and elderly folks. And I cannot stand by and watch them wither."

MK nodded quietly, feeling Mei's worried, "are you not telling me something" glance on the back of his head. He reached out a hand, and the two divine beasts press their foreheads together.

The dragon faded away in a rain of falling leaves and petals, and when the Purple Color Stone hit the ground, nothing remains of the tiger but a thin layer of silvery, metallic sand on the floor.

Appendix: Inside the Pagoda

The fix-it is mostly over at this point, so the following is just me adding some additional worldbuilding and foreshadowing to MK's solution in E10, to make the whole "giving powers to everyone" thing a little less out of left field.

In the previous section, it was mentioned that a bunch of Lunar Mansions end up inside Li Jing's pagoda too. And when MK and friends run across them, they are in a pretty bad state.

Namely, the same cracks they see on the divine beasts are now appearing on the Lunar Mansions' bodies too.

"Isn't it obvious? Our masters are no more, so we now bear the brunt of the weight that was once on their shoulders..." "And are on our way of being crushed to a pancake." "Very tactful, aren't you?" The one-horned man sighed. "But yes. Lord Mengzhang is a stellar beast too——the greatest of all. He is a constellation, while we are merely the stars that make up the dragon's body, embued with a tiny fraction of his power." "And when the very sky of the East has fallen..." "How can the stars remain unscathed?"

After that, they basically exit the scene to fade away offscreen. But the information they revealed plants the seed of an idea in MK: specifically, that the Color Stones' power (and burden) can be shared between multiple individuals, like what happened at the end of E10.

Also, tiny fix: instead of MK learning the circlet spell outta nowhere, he's gonna tap into the power of the Color Stones during his fight with SWK, just like he did during Xuanwu's trial, to buy enough time to make his sacrifice.

[fanartsofdoritoilluminati]

And now another art drawn BEFORE I've read the book of Bill. This is my old headcanon AU of 2021. + catified for convenience. Btw I did guess a few things about him right, tho my less original AU from 2017 was more correct. (And then i say GF spoilers overall + book + lore drop).

I have notes what did I guess in some txt. I can tell from memory - in my AU he also looked at the stars aka other worlds. He used his fire magic to see them through barrier and it fascinated him. And then he wanted to make everyone see it bc he was sick of all restrictions this world had, he never liked them ever since he was born. Also I always headcanoned one of his parents being red (father usually, tho now I think the name Euclid goes better with blue). Also what isn't canon but existed in my AU - he had 2 younger siblings. They weren't lore important, but existed. Also I guessed the fact he carried a piece of his universe with him. In my AU he collected shreds of each single world and creature he destroyed that held importance to him. Once his magic inventory wasn't enough - he created or took a separate world where he made huge pyramids of these shreds and got depression episodes each time he stayed to look at them. And id anyone dared to notice him being depressed - he Thanos snapped them too, bc no one must know that he wasn't as happy as he appeared to be. And I wrote this AU only knowing 2 facts - in one of the worlds similar to Bill's triangles were the lowest class, and this one Axolotl verse.:"Says he's happy - he's a lier, blame the arson fro the fire", "misses home and can't return", etc.

Now about the artwork: Here you can see Bill chatting with his first bestie after he escaped his world. Also he didn't lose one of his eyes yet.

How did they meet: Bill was alone in the outer space and was found by the group of universe travelers. They welcomed Bill in their ranks and he was happy to join bc he loved to discover new things. They traveled together and at first Bill was fine. And used his magic to better the lives of others. Until he grew sick of it bc he had no family and no home himself, so instead he would start to destroy everything and would lose his first bestie(s). And would become the canon Bill, as I thought.And wouldrun around and destroy everything that's still whole, pretending to enjoy the scenery.

[freedelusionshere]

Apologies and Forever rewatch

In Apologies and Carmy insists on Syd coming with him to this work function, where he is the only person she knows (other than Richie, he does not know she's been talking to Chef Adam). He knows she is frustrated with him, apologizes, but can't bring himself to find the right words (the song that plays after alludes to this). She also struggles to tell him she's considering leaving him, but I already think he knows where this is headed, and his spiraling in S3 is just evidence of him trying to maintain control by throwing himself into his work as a distraction and massively failing.

The moment where they exchange looks when he says he doesn't want it to be so hard to keep up, then he stares at her and doesn't say anything, just lets her walk away frustrated herself is peak UST.

Then he looks down at the plate and realizes Richie was fucking right and he's been sublimating his desires for Syd, he's recreated her hair scarf on the plate (so many posts about this already and it's literally a reference to the film Vertigo shown earlier). He looks up at the surprise cart and understands he's been denying himself pleasure and amusement intentionally because of this, and that he used Claire to try to dull his anxiety about it, thinking about calling to apologize to her. He revisits the walk-in to try to reclaim a space where he was distressed by apologizing to Claire but can't do it.

Syd goes home and stares at a bunch of pictures of Carmy and reads articles she's probably read a million times about everyone talking about how great he is, frustrated at the disconnect with reality, and refuses to take a call from her dad because she doesn't want to hear his opinion about her "partner".

Then he's at home getting ready for his "date" at the end of the episode and looking like he's working up the courage to tell Syd how he feels which is why we see the scrunchy and prayer card as he leaves for the Ever funeral.

In Forever he is enjoying himself and talking to the other chefs, seems a little nervous but not anxiety-ridden, and then Syd shows up and they embrace briefly, and he puts his hand on the small of her back and introduces her to everyone making it clearly look like she is there with him. And then he sees Demon Chef David and it all goes south and he spirals again. Meanwhile, Chef Adam is pulling Syd into the closet for secret talks. I am going to lose my shit if Chef David is an investor in his new restaurant.

But actually, his conversation with Chef David gives him closure and makes it clear he's been building his whole personality around him and his bad ideas about success/control and puts him on a path to being clearer headed, I think it's a breakthrough, and he talks with stuff about Chef Terry and goes for a walk. I think he actually was going to join the party at Syd's when he got the text of the review.

Btw, Richie yells, "Motherfucker!" when he finds out about Ever closing earlier in the season. Just like Carmy does when he sees the review.

Also, poor Syd, I do think she cares so deeply for everyone at The Bear and what they've all built together, but she has no reason at the moment to believe he will treat her as a partner and in fact that he will hold her back. Don't think she believes he's in love with her. even And though she's been enjoying hanging with Luca all night up to this point, she's still having a massive panic attack about leaving The Bear.

[sphaxcca]

My Candy Love New Gen ep. 4 Review

Here I am after finishing the last episode of MCL New Gen ready to give my honest and unasked opinion about it. Fasten your seatbelts cause we are about to start and i'm not gonna be gentle

LET'S TALK ABOUT IT...

So the episode opens with Elenda who's basically trying to drag us so bad to the Cosey Bear because apparently Castiel was serving there ( No judgement toward Elenda, i wanted to see my husband too). Unfortunately for me and her, he already had left when we showed up to the Cafe. >3>.

Seeing Lynn animated was so cute and a little bit nostalgic but nothing compared to the GASP I emitted when she started talking to Thomas and he told her he was in love with her. GEEEEZ, now i get why that kid was a pain in the ass and RUINED my pic-nic date with Tomato head, THE DOTS CONNECTED. Btw it was a very cute scene and a tribute to Iris that I hope she will show up in Thomas' route.

Moving on, inspired by Thomas' love confession, everybody starts talking about their love life (expected since the episode's name is hearts looking for love). And this is where things went horribly cringe and outrageous: Ofc i'm not talking about Elenda and Devon ( It was cute to know that she had a crush on Devon and, about him, a little peak to where the story is possibly going to lead - a busy man that works his ass off so bad for Devenementiel and has no time to date)or Amanda but about ROY and BRUNE.

Hoooooly shit, the chill of second hand embarassment that I got just by reading the interractions between these two was undescribable I swear( Elenda became basically my guide spirit: her reaction was the same i had. ). Everything was so outofcontext and nonsense that I'm actually wondering why Beemov decided it was a great idea to give space to something so....childish? I mean, we're talking about (almost) 30yo people.. and they got together because they were...desperate??????? - "Yeah with my exes things weren't doing good so we decided to date even tho we don't talk, don't touch and fell uncomfortable with each other" - COOOME ON, BFR, you guys ok? Also, I really hope that we're gonna discover something deeper about Roy (or that he's going to get a development at least) that makes him more that what i can pick up and feel from him right now: childish Gymrat fixed on pool that give us nothing. I'm genuine deluded about the way they handled this.

Moving on to JASON PART. He basically shows up when we're still talking sitted by the table. I was obviously expecting the part where he was going to be pointed out as a "womanizer" but what I DID NOT EXPECT was the reaction he had when he overhears our conversation: I felt him being sarcastic as usual but at the end i felt he was kinda....hurt??? idk if you get what i mean, he literally said he had REASONS why he doesn't want to be in full term relationship and this opens my mind to an INFINITE AMOUNT OF THEORIES

Connected to what I've read on some theories here, someone said it's because of the condition ( or the pathology) that made his hair go white...

This is a really good point but I genuine think about something else that is connected to this and the SHOCK NUMBER 2: Why Devenementiel hates Jason so much?

Apparently our "proud and superior" man with an incredible fragile ego had PLAGIARIZED the project the would have helped Devon to found Devenementiel and, because of that, he was fired and disqualified by the contest. So...first things first: PIECE OF SHIT. Secondly, I genuine would have never thought about him doing something like this and that's the reason why i don't think he did it because he wanted to but perphaps he WAS PUSHED to do so.

Another theorie said that probably he was helped by a third person that played dirty and suggested him the same project Devon did

And I have to admit that this is something very likely, but stil don't really convince me too much.

We can clearly see that Jason has a lot of money, A LOT, and by the way he has so much money i'm assuming he comes from a family that at least has the same amount of capital he has now. We got told that he was basically working as an employer (if i remember correctly) so why trying to steal something from others if you are satisfied and don't need a job? perhaps because you NEED that first place to REDEEM yourself and PROVE someone wrong at least so that.. THE END JUSTIFIES THE MEANS. That's where his family and the white hair make their part: A Dad Ceo that basically disgraced his Son because he couldn't follow or keep up with the family business or - he wasn't good enough- for the role ( and that's why the white hair, because of the stress) . Another thing that might prove this is the fact that Devon told us that he had "private investors" and...i mean, if you're broke, i don't think you can find them just by snapping your fingers and make them appear in front of you, especially when you get fired and disqualified in a competition. He could have use the "family" name and hi charisma to persuade the investors to help him found Goldreamz. And THIS leads me to the last point: Why no long term relationship? Because his family has to end with him and he's scared of the consequences that a partner can have in his life. This reminded me so much Simon from Bridgerton btw. So yeah...I might be wrong (99%) but i want to think that he's a piece of shit just because he's hurt.

His special scene was normal i guess, i love the way my candy was looking at the instagram photos be like - "i'm just studying the enemy...not doing something wrong..maybe".

In the end i decided to try for the Thomas illustration and nothing to complain about, the scene was genuine one of the most cute one in the game so fare and the ilusstration 10/10 chef's kiss and handshake by the president.

[my-rose-tinted-glasses]

You know what is really bothering me about these last couple of days in Thai BL land?

Yes there were a lot of tears, but none of them were mine. (the exception being cherry magic. that sequence of Karan taking care of Achi and then being heartbroken. My heart wasn't ready)

These are my personal and maybe unpopular opinions so just let me explain. Spoilers galore as usual. We had some heavy episodes this week. Starting with 7 days before valentine and ending with the sign.

7 Days Before Valentine Look, was it heartbreaking? Sure. Did I feel sorry for Sunshine? Nope. Not even a little. Because for 8 episodes we've seen a selfish, self centered human being make a mess of the world without an ounce of remorse. Just picking people off one by one for his own selfish desires. So even if this episode was actually good, because he finally confronted his selfishness, I was watching wearing a big neon sign saying - you had it coming... the world's smallest violin etc... Also we know he's not actually gone so. (this is the recurring theme of the week btw)

Pit Babe I mean Pavel did a great job and this show is doing a great job at showing men being vulnerable and crying. But let's be real. Charlie is not really dead. We know that. Omegaverse or not, this is Thai bl and we don't play that here.

So the idea to leave the audience in the dark is an attempt at a cliffhanger but ultimately void of any real suspense. If the audience were to be let in on the plan, I'm sure there is one, then we could've felt Babe's suffering in a more profound way. Because, in my opinion, that would be more powerful. We could've seen both sides of this and felt bad for both of them. What's the point of leaving us in the dark? Am I suppose to gasp next week when Charlie appears? When what will actually happen will be that as soon as we know Charlie is alive we will get angry at him for making the person he loves suffer and next at Babe because they will get right back to the papa and mamma talk before the I'm sorry leaves Charlie's lips.

Twins I mean, there wasn't really a lot of suffering left to be had here. I was the only one suffering due to the fact that this show really waited until the last episode to make Sprite come clean. And to top it of, making First feel even more like a door mat by forgiving Sprite so fast. What a waste.

Last Twilight I've already said my peace about this show a couple of times. I did feel Mhok's pain. Him alone crying outside the house was heartbreaking. But the problem is how it happened. Idiotic. The catharsis didn't have the time to actually be cathartic for Mhok. The noble break up was not noble. So in the end I cannot emotionally connect to any of this. They threw Mhok's nightmare in there in case we'd forgotten about his baggage, or maybe because they had, so that sudden confession of Mhok had diminished impact as it was followed by the break up which of course is the real heartbreak I guess.

The Sign What is up with the editing of this show?

I already said somewhere last week that I thought the editing of the rescue was terrible because it was not done as to invoke any emotional impact. The same happens this week.

What the hell was that cut after Phaya woke up? We had like 15 seconds of them looking at each other and Phaya reaching out before they cut to Dr ican'tkeepupwiththenamesatthispoint and then to the police story line that let's be honest, it's taking space from everything else that's more interesting and it's not giving us anything of value in return. Stop putting everything but kitchen sink into shows if you can't manage it properly. If you don't have space for these stories to breathe and give me something I'm missing in the main story lines. Look I love that Phaya got up from his hospital bed and immediately went for it, but I mean what am I suppose to feel about it? The show is not letting us settle into any one emotional state long enough to feel anything at all.

And, I'm really asking. Is anyone at all interested in the police investigation? You can have a police investigation as backdrop to a story. But if you're also gonna take it upon yourself to have this massive mythological, past and present lives star crossed lovers story, then something's gotta give. Maybe just make it a case that doesn't also span generations and brings secrets and lies along for the ride.

I'm so mad at Thai bl at the moment. Not you Cherry Magic, you are my precious ray of sunshine in the middle of all this rain. Please be good till the end.

[Thank you @twig-tea for being my proofreader. You're the best. 💜]

[what-do-1000-swords-look-like]

more Buddie confirmation right in front of our salads

More space/universe aka future:

Not to mention, Christopher has the bag, then Buck, and then Buck hands it to Ramon. Son to Buck to another father.

In the same episode that we get a dinner date (with Buck cooking) between Buck and Tommy:

Buck: "So maybe we both have Daddy issues." Tommy: "I don't." Buck: "But you think I do?" Tommy: "God, I hope so."

The very next scene is Eddie talking to his parents and we get:

Ramon: "Fathers are human. Sons don't always handle this news well." Eddie: "I'm not letting him run away from home because he's mad at me." Ramon: "Your son is trying to tell you what he needs. Don't wait 30 years before you listen. You'll regret it."

So in this episode we have:

Bobby's life on the line

A grandfather trying to get revenge for his grandson (after mentioning his own son/their relationship in the last episode we saw him in)

Buck talking about how Bobby is like a father to him

Tommy saying he doesn't talk to his dad; that he only had Gerrard (which was a very weird statement to me until I saw the end of the episode and went "aha!")

Christopher refuses to talk to Eddie because he's angry and hurting; he even called his grandparents to come get him so he can stay with them for a while

Ramon giving Eddie advice to let Christopher go because it's what he needs, coming from the perspective of his own regret with how he handled things with Eddie

Bobby (Buck's dad) being replaced by Gerrard (a former captain of the 118 - there's that Ramon/Eddie parallel again btw - and who Tommy "looked up" to)

Bobby not having been honest with the 118 about a decision he'd made; Eddie not having been honest with Christopher about Kim (well, I should say that Christopher found out about anyway) - both fathers/father figures

This all leads to: Fathers & Sons (as well as the theme of family)

But it's also important that this episode reaffirms Buck as Christopher's other parent (in the present). Yes, we been knew on this point already. It's been hammered home and hammered home time and time again. But it's literally confirmed in this episode right in front of our faces. Not because Eddie called Buck to talk to Christopher but because of the literal passing of the backpack which is sporting a theme that has been featured for Buddipher before (future).

From Christopher (the son):

To Buck (another son/father):

To Ramon (another father whose son's heart is breaking as he's losing his own son):

Buck doesn't hand the backpack to Helena or even Eddie (so Christopher will need to retrieve it from him/talk to him). He doesn't place it down on the ground or on thee couch (which btw he oh so conveniently sits on the arm of it earlier in the episode in the scene where Eddie begs him to intervene with Christopher). He hands it right to Ramon who then shoulders it.

So not only does this confirm that yes, Buck has daddy issues and that he can identify with Christopher (based on what he went through, his understanding now, and his own evolved relationship with his parents), but he is indeed the second parent.

In the same season we saw both the Buckley parents and the Diaz parents resurface, when Buck and Eddie are going through their own journeys of some deep inner reflection.

Guys, I don't know how else to say this but we are at that point. Looking at everything from above, we are literally this close. It's either make or break time coming up soon in the narrative. They're not even being coy or subtle about it anymore. That's not dunking on BuckTommy btw (there is a reason Buck and Tommy have graduated from the beer prop to the wine prop this episode - think Taylor/Abby/Shannon/Ana, etc.). That relationship still needs to be seen through and obviously, Eddie still has some more grief and things to work through, but they literally have Buck and Eddie's narrative circling each other. Eddie didn't ask Marisol for help on this one - he went straight to Buck. He also didn't try to shoulder it alone - he immediately called Buck. Hence Buck mentioning to him that Christopher can't keep Eddie out of his room and Eddie's response to that. If you think back to how far we've come with Eddie and his character development: learning to ask for help when he needs it, not taking on everything alone, being able to admit when he has a problem/struggle...it is phenomenal that Eddie called Buck up immediately to get him over there to help with Christopher. Not that he hasn't trusted Buck with Christopher in the past, not that he doesn't truck Buck implicitly as his best friend and shift partner, but he literally realized in 0.02 seconds that he fucked up and called the one person he not only knew could get through to Christopher (if anyone could) but also would help him in this situation. Buck may have known about Kim but now so does Marisol, and it's obvious that Marisol has a relationship with Christopher as well. She may be hurt and angry with Eddie, but if Eddie asked her to talk to Christopher, if she knew how dire this was for Christopher, I'm not sure she would have told Eddie "tough, you cheated on me, screw you".

But regardless of what Marisol would have or wouldn't have done, the point is, Buck is there as Other Dad and it's confirmed right in front of our salads. And then the partner/parent confirmation:

And if you need confirmation that props, blocking, and framing are a thing, look at the picture behind Ramon and Helena. Texas. Exactly where Christopher is going. Look at the open front door and the open door leading to the kitchen, purposely in the shot as Eddie kneels down to talk to Christopher, telling him he can always come back. Look at the fireplace (aka theme of home/hearth) Buck is standing in front of as he watches the scene unfold. Look at the way they framed Ramon and Helena vs Buck and Eddie. Ramon, Eddie's father, is on the right and Eddie, Christopher's father is on the right. They even touch in a similar manner (with less space between Ramon and Helena obviously). They even make sure to cement that connection of the two fathers in the shot of Ramon looking at Eddie, still shouldering the backpack, and closing the door. They even have Buck with his hands in his pockets and Eddie is about to do the same until Helena reaches out for Eddie's hand.

Framing.

Blocking.

Props.

Christopher is Eddie's son, his future. His future who just walked out the door with his grandparents. It's all there. I mean:

The same episode that mentions lost romantic partners: Ayanna, Emmett, and Shannon. Amir helps people. Athena has Bobby. And Eddie has...?

Amir + Ayanna = AA (he lost her in a fatal fire but she was the love of his life) Athena + Bobby = AB (they've both lost people but are now together and going strong) Eddie + ? = E?

The same episode where Maddie and Chim take in Mara temporarily until Hen and Karen can get her back to complete their family and we also see a scene between Bathena and the kids being grateful that they have each other.

The same episode where the two couples (Madney and Henren) are having a dinner together (the takeout) and so are Buck and Tommy (that Buck made).

The only person without a romantic partner this episode with this shared theme of dinner and prop of wine (for romance and family meals) was Eddie. He had no partner.

Or did he?

[hils79]

Hils Watches Mysterious Lotus Casebook - Ep 38

I'm quite tired after a day of adventuring but @dancing-out-in-space and @hphaeton said this is a good episode and I deserve a treat on my birthday so let's do this :D

Yeah, girlboss your way into world domination with your enslaved malewife

I mean everyone else in this seems to be poly. Why don't you marry Di Feisheng and have Li Lianhua as your concubine

Uh...holy shit?

Is he going to rescue Di Feisheng?? :D :D :D

Di Feisheng: refuses speak or even to even open his eyes to look at Jiao Liqiao even after she stabs him Jiao Liqiao: Oh, btw, Li Xiangyi is also locked up here Di Feisheng: bitch, I will kill you

"Are you enjoying me chained up, bloody and sweaty?" Love that he knows Li Lianhua is there even though Di Feisheng has his eyes closed and Li Lianhua is hiding around a corner behind a screen.

Please say 'I'd rather have you'

They're going to hide...in the wedding chamber...

They're hiding in the wedding chamber and they're both in their underwear. I mean I know Di Feisheng can barely move but still!

Di Feisheng: There's a high probability that what I'm about to do will kill me Li Lianhua: How dare! I just saved you!

I am having a lot of feelings about the fact that Di Feisheng gave his energy to Li Lianhua and now Li Lianhua is returning the favour. They are inside each other now.

I don't think I have ever seen either of them smile and laugh so openly like this. I need to go and lie down.

IN A BRIDAL CHAMBER NO LESS! I'm fine. Also, I love that they have somehow managed to find clothes in their exact size and individual styles

There's only one bed. Just saying.

Dude you literally just had a moment about stopping challenging him to a fight

Are they seriously pausing their romantic alone time IN THE BRIDAL CHAMBER to solve a mystery

Oh no! I love him.

XIAOBAO IS HERE TO SAVE HIS MAN

DAMN SON

I mean every time he did anything you accused him of being evil again but yes you were right about him

The OT3 is a proper OT3 now with no hidden agendas or secrets between then. And I think Li Lianhua and Di Feisheng got re-married so that's cool.